Misconceptions persist because the agency business is somewhat secretive.
Screenwriters Screenwriting Agents Unless you know a bankable director or star, the best person to put your script in the hands of someone who can buy it is an agent. In the book business, someone who represents books is called a "literary agent" whether the books are literary or not.
Call development people and producers and tries to get jobs for her clients 2. A "spec" screenplay is any screenplay the writer wrote without getting paid by a producer to do it. Have breakfast, lunch, cocktails and dinner with industry people and try to do 1 and 2.
Negotiate deals for her clients when they have succeeded at 1 or 2. Go to screenings of movies her clients wrote. Go home and read scripts to see if they, and the writers who wrote them, are worth representing, so she can do more of 1 through 5. What she is looking for is a well-crafted script with a great hook.
A good literary agent knows a big chunk of all the people your screenplay should go to. Once she signs you, she is going to spend a week or two talking up your script to all the development people she knows at the major production companies.
Go Between, a courier agency, picks up the box and delivers all thirty of the scripts to the various recipients within about three hours.
Then she waits for the phone to ring. Well, actually, she makes about a million other calls for other clients, waiting for the phone to ring on your script. What she hopes is that two production companies will love the script and want to buy it.
A bidding war is the only way you get those big paydays you read about in Variety and The Hollywood Reporter. If all goes perfectly, within a week she has a buyer or two, and you make a deal.
If no one buys your screenplay, your agent will try to get it set up somewhere on an option deal. You may be considered for writing work. People claim this has something to do with protection against lawsuits. Having an agent means that at least one person likes your script for purely greedy reasons.
She must think your script is marketable. Having even a so-so agent validates your writing to other people. Even if you are a good negotiator, the person negotiating needs to be able to say things that upset the producer without getting the producer mad at you.
You want your agent to be the bad cop, so you can be the good cop. So, you need an agent. So, how do you get an agent? The best way, of course, is to get recommended by someone who knows her personally, or whose name she recognizes.
The usual way is to send an agent a query letter. You probably want to send out dozens and dozens of query letters to different agents at different agencies, hoping that at least one will spark to your material.Directory: Screenplays Blogs. Message Board Film News Tips Screenwriting Store Literary Agents Production Companies Film Festivals: Filmmaking Directory: Directory > Agents/Managers > Literary Agents: Literary Agents.
This has taken over from the Hollywood Creative Directory as the go-to resource for screenwriting managers and screenwriting agents. As of writing, it costs $ a month, but you can save 37 percent off this price by signing up for an annual subscription at . Download WGAE Agency List The Guild does not help writers in their quest to find an agent, or provide individual recommendations.
But we do supply a list of agents who have signed an Artist’s Manager Agreement with the Guild.
Here are some tips on how new writers should approach agents: A. HOLLYWOOD AGENTS FOR WRITERS Let's make it simple. You've done your writing. You are sure your script is great. You registered & copyrighted it.
You have CYA Your script is pages and it's going to be a global studio spectacular or your script is a page wonderful low-budget independent script that has. UK Screenwriting agents. Below is a list of UK screenwriting agents and literary agencies. Some agents are very approachable, while others deliberately make it hard for filmmakers to reach them.
Screenwriting Agents Unless you know a bankable director or star, the best person to put your script in the hands of someone who can buy it is an agent. A literary agent is someone who represents you, and takes 10% of whatever you make from your screenplay, and is therefore highly motivated to get you as much money as possible.